Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. Autoportrait avec un chien (Autorretrato con Perro Itzcuintli) a été réalisé en 1938 par la peintre mexicaine autodidacte Frida Kahlo (1907-1954), … Lavinia Fontana, Self-portrait at the Clavichord with a Servant, 1577. 1600. Italie, 1552-1614. 28 déc. The self-portrait by Fontana that interests me the most was painted just two years after Fontana’s wedding portrait. (7), The musical instrument itself is a symbol both of love and financial status. Découvrez vos propres épingles sur Pinterest et enregistrez-les. 5 is 2 Bohn, Babette. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Thank you for making the corrections. Lavinia Fontana se forme dans l'atelier de son père, où elle rencontre [2]. Later, it is believed that Fontana referenced herself in two more paintings: as Judith in Judith with the Head of Holofernes in 1600 and in a Madonna and Child with Five Saints from 1601, where she is portrayed as St. Barbara. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. See Liana De Girolami Cheney, et. 29 mars 2018 - Cette épingle a été découverte par Dmitriy Makeev. Find more prominent … Washington: DC: New Academia, 2009). Autoportrait au clavecin (1577) Huile sur toile, 27 × 24 cm, Accademia di San Luca, Rome. Fontana visually manifests this care by not only stressing her virginity, but by appearing in modest red dress that suggests marriage (red was the traditional color for wedding dresses in Bologna).5, Lavinia Fontana, “Self Portrait In a Tondo,” 1579. Artemisia Gentileschi, Self-Portrait as the Allegory of Painting, 1630s, Royal Collection. Fontana presents herself as a confident and fairly attractive woman. Lavinia Fontana, “Self-Portrait at the Spinet,” 1577. Lavinia Fontana pose le problème des femmes Nonetheless, we can see that Fontana wanted to portray herself in a certain way, especially since she knew that her image was intended for display alongside portraits of other prominent individuals. Art. The red knot that is placed on the instrument was a symbol of love and betrothal at the time, which can also tie into Fontana’s interest in maintaining social decorum. Lavinia Fontana’s portrait of Antonietta Gonzalez c. 1595. 2014 - Découvrez le tableau "Lavinia Fontana" de Mori Mori sur Pinterest. Rather painting endures… Painting satisfying the sense of sight is more noble than music which only satisfies hearing. She manifests her scholarly pursuits (she’s not just a mere “craftswoman”) by showing herself among anatomical casts and classical statuettes. Web. Discover (and save!) (23) Still, historians and critics look to Self Portrait at the Keyboard and Self Portrait in the Studiolo as the primary self portraits of a woman who may have been the most talented professional woman portrait painter in Bologna. It’s nice to hear from another art historian who loves Lavinia Fontana! She was trained by her father Prospero Fontanawho was a teacher at the School of Bologna. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. Few artists, especially women artists, would risk expressing their true feelings in writing. As an art historian who is interested in female artists, I am particularly intrigued by the way that Lavinia Fontana chose to depict herself in self-portraits. which could be re-hosted? Not only is she wearing modest clothing, but she further emphasizes her respectability by stating that she is married. Hels says: October 6, 2014 at 1:53 pm. Renaud Camus has uploaded 25965 photos to Flickr. Fontana looks confident and comfortable in her environment, even though this is the only self-portrait from the sixteenth century in which a female is seem studying the antique nude. 2012. Thank you for your comment. As Catherine King points out that in terms of self-portraiture, “the act of showing oneself to another was very different for a young woman than it was for a young man.”4 Hence, female artists needed to be careful in how they presented themselves in portraits. Dear Ms. Celalettin, She wears a dress in the traditional color of Bolognese wedding dresses and is covered in coral, gold and pearled jewelry. This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. We do not wish to appropriate his content; merely to see his • 1577 : Autoportrait au clavicorde accompagné d'une servante, Accademia Nazionale di San Luca, Rome. Lavinia Fontana, autoportrait; ca. I wrote about this painting on a guest post at Three Pipe Problem a few years ago, and I regularly use this self-portrait when I discuss Renaissance art with my students. Maybe the servant’s actions are less important in comparison to the fact that she is bringing printed music (i.e. On 17 October 1578, Dominican scholar Alfonso Ciacón wrote to Fontana and requested her portrait; Ciacón intended to publish an engraved gallery of 500 portraits of respected scholars, artists, and statesmen.6 No doubt Fontana felt honored to have her portrait be included in this engraved “gallery.” Fontana sent this portrait to Ciacón in 1579, but the book of engravings was never published. She has strong posture and her eyes gaze directly forward to the viewer. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? charges. Son père est peintre de la contre-réforme très en vogue auprès des papes. I appreciate your taking the time to let me know. reffga@goldmail.etsu.edu, Lavinia Fontana’s Self Portrait at the Keyboard of 1577, Leonardo Di Vinci said, “Painting excels and is superior in rank to music because it does not perish immediately after its creation, as happens unfortunately with music. Currently, the content of Hasan’s blog is no longer online, although I hope that will change in the near future. Charles Rennie Mackintosh, 1925, RT @WMGallery: Are you thinking about learning a new skill during lockdown? (3). I think this Latin inscription is rather interesting, since it is indicative of the social situation for female Renaissance artists. (15) However, Fontana’s self portrait provides an allusion to artistic labor, with the placement of the easel behind her, a reminder of her artistic background and interests. 6 Name also appears in art history texts as Alonso Chaçon and Alfonso Chacon. Lavinia Fontana learned painting from her father, Prospero Fontana, who was a highly-respected artist in Bologna. Fontana also chooses to emphasize her accomplishments and abilities: she is playing an instrument and her easel is distinctly placed in the background. Lavina Fontana naît le 24 août 1552 à Bologne. Née à Bologne en 1552, Lavinia Fontana étudie la peinture maniériste auprès de son père, Prospero Fontana (1512 env.-1597), représentant mineur de l'école bolognaise. Lavinia FONTANA, "L'homme sauvage" Histoire & Image, L2 Histoire Lyon Nous traiterons ici, à partir du portrait de Tognina Gonsalvus peint par Lavinia Fontana, de la vie de l'artiste et de la signification du tableau, aussi en le replaçant dans une plus large perspective des représentations de ces raretés de la nature, mi-hommes mi-animaux, dont l'iconographie est remplie à l'époque moderne. He is sorely missed. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana, painted in 1575 and now preserved in a private Roman collection (M.T. Vintage Mickey Art Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? Lavinia Fontana. Your email address will not be published. Cantaro, Lavinia Fontana Bolognese 'pittora singolare' 1552-1614, Rome, 1989, no. The following post first appeared on Three Pipe Problem in March 2011. Biographie. I’ve included that citation in the footnote and updated it accordingly. Elle est née à Bologne , fille de Prospero Fontana , qui était un peintre de l' école de Bologne . London: Ashgate/Scolar Press, 2000, p. 60 (revised. Nov 26, 2018 - Explore Gordana Kotur's board "lavinia fontana" on Pinterest. In addition, her knowledge and learning are emphasized by the fact that she includes a Latin inscription in the upper corner of the canvas. . Renaud Camus has uploaded 26082 photos to Flickr. If Mr. Niyazi was some pedestrian blogger I would not bother but After marrying Paolo Zappi, she gave birth to 11 children and moved to Rome in 1603. 28 Jun. XVIIIe 14siècles, notamment chez Sofonisba Anguissola , Lavinia Fontana (fig. (11) While there is no evidence that Fontana actually played a musical instrument, her choice to include the keyboard “elevated herself from dilettante to professional… from one who practices a craft to someone with skills equal to that of the musician, poet, writer, and philosopher.” (12) This helped, too, with elevating her social and economic status in Renaissance society. Los Angeles County Museum of Art, Los Angeles, CA. Hello Monica, Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. Dans le premier peint en 1577 nous la retrouvons installée devant un clavecin, les mains s’agitant au-dessus du clavier. This painting, Self-Portrait at the Spinet (also called Self-Portrait at the Keyboard) was made in 1577 for Fontana’s future father-in-law, Severo Zappi.2 I think Fontana felt some pressure at this time, since she was marrying into a family which held a higher social status than her own.3 One senses that Fontana felt a need to emphasize her wealth and status by observing various elements in her painting: her lavish clothing, jewels, and a servant in the background. She continued on to create devotional pieces in larger scale and was successful until her death in 1614 at the age of 62. Mar 16, 2015 - Find and follow posts tagged lavinia fontana on Tumblr. (9) Because she would marry a man with higher social status than her own, it was imperative that she appear to be of a higher status than perhaps she really was. That might have been acceptable to van Gogh, but almost every other artist wanted acceptance, admiration and a steady income stream. Lavinia Fontana: Autoportrait au clavecin 1577 Huile sur toile - 270 × 240 mm Accademia Nazionale di San Luca, Rome . 25. (21). Biography. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Lavinia Fontana. 11 McIver, Katherine. In translation, the inscription reads, “Lavinia virgin/maiden of Prospero Fontana has represented the likeness of her face from the mirror in the year 1577.” Isn’t it interesting that Fontana is emphasizing her virginity? D.874.15 À la fin de la Renaissance, Lavinia Fontana est une artiste réputée et l’une des toutes premières femmes Son autoportrait (Autoportrait au clavicorde, accompagnée de sa servante)et qui date de 1577 ou 78, elle a 25 ans, nous montre en plus qu'elle est belle et qu'elle est musicienne ! Voir plus d'idées sur le thème femme peintre, peintres italiens, peintre. Required fields are marked *, You may use these HTML tags and attributes:

. 40. Le cadeau a été envoyé à l'occasion de la proposition de mariage, célébré le 13 Février 1577. Guest post by Katherine A. McIver, Professor Emerita of Art History, University of Alabama at Birmingham Thinking about the upcoming exhibition at the Prado, Madrid (October 2019) celebrating the Renaissance women artists Sofonisba Anguissola (1532–1625) and Lavinia Fontana (1552–1614) prompted me to revisit the self-portraits painted by these two women. Ms. Celalettin has written back to me just now and this is what she has to say: Thank you for reaching out to me and for the condolances, Hasan Niyazi is my brother. “Looking a Sight: Sixteenth-Century Portraits of Woman Artists.” Zeitschrift für Kunstgeschichte. Therefore, painting is to be preferred to all other occupations.” (1), Throughout the Renaissance, artists struggled with how to maintain a social and intellectual status through their profession. Besides evoking interesting points about chastity and propriety, the inscriptions are a reminder that the status of a woman was based on marriage, even as she shed her own identity. Mar 27, 2016 - Lavinia FONTANA, Portrait d’homme assis feuilletant un livre, dit Portrait du sénateur Orsini.JPG Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. Since Renaissance women weren’t always in control of how they were portrayed in art (women were often depicted by male artists), I like to see how a female artist represented herself when she did have control over her image. There, she thrived again with the upperclass and formed strong bonds with many noblewomen in her district. Fontana's innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart, Sofonisba … Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (? “Lavinia Fontana’s “Self-Portrait Making Music’.” Woman’s Art Journal. (1988): 4-30. I think blog posts are my equivalent for self-portraits, especially since I’m not an artist! They attempted to establish painting as a liberal art rather than a superfluous artistic hobby. (4) Self Portrait at the Keyboard was a painting produced by Fontana for her future father-in-law, Severo Zappi. Unsurprisingly, virginity was highly desired by prospective husbands at the time, but I think that Fontana mentions her virginity to fit further societal expectations. For one thing, I’m an art historian who is a woman. . Agreed totally, since an artist who did not meet societal expectations was unlikely to find a market for his/her paintings. Biography Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. . 58.3 (1995): 381-406. Fue hija del pintor Prospero Fontana, pintor de la escuela de Bolonia, que le enseñó el oficio. 14 Simons, Patricia. While emphasizing good social status was important for all painters during the Renaissance, it was especially important for females whose self portraits were often the first image seen by their future husbands. 5 Bohn, 254. I thought that this month I would post one or two of the guests posts that I wrote for Hasan’s blog. She is one of my favourites! My discussion of the red knot came from the Caroline Murphy text (2003) that I mentioned in the fifth footnote, but she must have gotten that information from your previously-published/presented work. I believe it correct that your brother, Hasan Niyazi, owned a web site called 3pipe.net. The inscription in the right-hand corner of her portrait states: “Lavinia Fontana married into the Zappi family made this 1579.” In fact, this reference to her marriage was advantageous not only for purposes of societal decorum, but also a way to emphasize her social status, since the Zappi family held a comparatively high status in society. As I have been writing this post and thinking about Fontana, I’ve come to a realization as to why I am drawn to female self-portraits. Sep 23, 2020 - Lavinia Fontana – Self-portrait at the clavichord with maid-servant [1577] Selbstportrait am Clavichord mit Dienerin [1577] Rom, Accademia di San Luca Lavinia Fontana (1552–1614), Self-Portrait at the Clavichord with a Servant, 1577, oil on canvas, 27 x 24 cm, Rome, Accademia di San Luca. Although I appreciate your writing on Lavinia Fontana. Dec 9, 2014 - ‘Portrait of Antonietta Gonzalez’ was created in 1595 by Lavinia Fontana in Mannerism (Late Renaissance) style. Thank you very much again, it really touches me that there are so many people who have so much respect for him and his passion. Lavinia Fontana est l'unique enfant de Prospero Fontana et d'Antonia de' Bonardis. Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter. (13) Since, “the ‘emblematic significance’ of dress made possible the visible marking out of one’s parental and marital identity,” her clothing choice seems skillfully chosen. For an example of extreme modesty in portraiture, see Sophonisba Anguissola’s. Le Jour ni l'Heure 3744 : Lavinia Fontana Zappi, 1552-1614, autoportrait (?